Friday, December 19, 2008

Björk ++ Audur Capital

http://www.icelandreview.com/icelandreview/daily_news/?cat_id=40764&ew_0_a_id=317204

"Icelandic singer-songwriter Björk and Icelandic financial services provider Audur Capital have established a joint venture fund called BJÖRK, after the singer. The fund will be used to invest in seed companies in Iceland.

“It’s Audur’s idea and it’s a great honor that [the fund] is named after me,” Björk told Morgunbladid when she and Audur’s chief executives, Halla Tómasdóttir and Kristín Pétursdóttir, presented their initiative yesterday.

It is hoped that the fund will have close to ISK 2 billion (USD 17 million, EUR 12 million) in capital and that companies will be able to apply for grants from the fund next year. Audur Capital has already contributed ISK 100 million (USD 867,000, EUR 614,000) to the fund."

Wednesday, December 10, 2008

Björk's Father's Blog...

Here it is: :)

Björk's father Guðmundur Gunnarsson is Labour Leader in Iceland. He and his former wife, Björk's mother Hildur, are both political activists in their own rights. Hildur embarked on a hunger strike in 2002 as a protest against government plans to build power plants in Iceland.

If you read Icelandic... let me know if it's any good!

Björk looks a bit like her father:

ROLLING STONE

Rolling Stone
100 Greatest Singers Of All Time

#60 - Björk by Chris Martin

"When you land in Iceland, you feel like you're somewhere a bit magical. Maybe it's the volcanic activity, maybe it's the dried fish, but something's going on: Everyone seems to be extraordinarily beautiful, and everyone appears to be able to sing. Their singers are so far ahead of everyone else — especially Björk. Her voice is so specific and such a new color. Now that she's been around for 20 years, everyone forgets quite how extraordinary she is. She could be singing the theme from Sesame Street, and it would sound completely different to how anyone else would do it, and completely magical.

She first crossed my radar on "Big Time Sensuality," from that video where she's on the back of a flatbed truck. I really got into her on Homogenic, largely because there's so much space left for the singing. On that album, there are strings and beats, but it isn't very full musically, so she has to do all the dynamics and everything. If you really want to hear what she can do, listen to "It's Oh So Quiet," from Post: She can go from zero to 60 faster than any other vehicle in terms of singing. And then to angry.

In that movie Dancer in the Dark, she's singing as a different person and it stills sounds completely genuine. She could be an opera singer or she could be a pop singer. Dulux Paint has a catalog that has all the colors you can buy of paint, right? That is how Björk's voice is. She can do anything. In our studio, there are pictures on the wall of our favorite artists. I can see Mozart, Jay-Z, Gershwin, PJ Harvey, E.E. and Björk."

Christmas Concert!!!

Last year was the first for some interesting performances at the Nordic House (Norræna húsið) in Reykjavík. This year it happens again! During the period 1st through 23rd of December 2008, a lot of Icelanders (popular artists, poets, writers, actors, musicians, bands) are giving a performance at the Nordic House, nearby the University of Iceland. Björk's day is the 22nd of December!

Pafrticipants include: Motion boys, Sjón, Hallgrímur Helgason, Jón Ólafsson, Hildur Vala, Kristín Mjölll, Egill Ólafsson & Valgeir Guðjónsson, Sprengjuhöllin, Steinar í Djúpinu, Karl Sigurbjörnsson, Vox feminae, Högni úr Hjaltalín, Duo Stemma, Ófeigur Sigurðsson, Ari Trausti Guðmundsson, Reykjavík!, Djass með Inga og Danna, Sollla & Sandra, Kristín Þóra Haraldsdóttir, Kira Kira, Ásdís Sif Gunnarsdóttir, Jón Gnarr & Björk.

Every performance starts at 12:34 every day and lasts about 15-20 minutes.

Wednesday, October 29, 2008

My Björk costume!

I wore this to our end of University party!
It was sown by Sarah Katt who copied a dress that Björk wore on her Volta tour...






A Commentary By Björk :

Published on timesonline.co.uk

After touring for 18 months I was excited to return home a few weeks ago to good, solid Iceland and enjoy a little bit of stability. I had done a concert there earlier this year to raise awareness about local environmental issues and 10 per cent of the nation came to it; but I still felt it wasn't enough.

So when I returned I decided to contact people all over the island who had attempted to start new companies and bring in new greener ways of working but had not succeeded. For a long time Iceland's main income was fishing, but when that become uneconomic people started looking for other ways to earn a living. The ruling conservatives thought that harnessing Iceland's natural energy and selling it to huge companies such as Alcoa and Rio Tinto would solve the problem.

Now we have three aluminium smelters, which are the biggest in Europe; and in the space of the next three years they want to build two more. The smelters would need energy from a handful of new geothermal power plants and the building of dams that would damage pristine wilderness, hot springs and lava fields. To take this much energy from geothermal fields is not sustainable.

A lot of Icelanders are against the building of these smelters. They would rather continue to develop smaller companies that they own themselves and keep the money they earn. Many battles have been fought in Iceland on these issues. One resulted in the Environment Minister insisting for the first time that an environmental impact assessment should be carried out before any smelters or dams were built.

And then the economic crisis hit. Young families are threatened with losing their houses and elderly people their pensions. This is catastrophic. There is also a lot of anger. The six biggest venture capitalists in Iceland are being booed in public places and on TV and radio shows; furious voices insist that they sell all their belongings and give the proceeds to the nation. Gigantic loans, it has been revealed, were taken out abroad by a few individuals and without the full knowledge of the Icelandic people. Now the nation seems to be responsible for having to pay them back.

What makes people furious is that those responsible for putting Icelanders in this situation are now the ones trying to get us out of it. Many here want those in charge to resign and allow others to tidy up after them. Most criticism is aimed at Davíð Oddsson, who made himself chairman of the central bank after 19 years as Mayor of Reykjavík and then 13 years as Prime Minister. A crowd is gathering in downtown Reykjavik once a week to demand his resignation.

Then a huge and most spectacular strike came surprisingly from your own Prime Minister. I quote a petition signed by a tenth of the nation: “Gordon Brown unjustifiably used the Anti-Terrorism Act against the people of Iceland for his own short-term political gain. This has turned a grave situation into a national disaster...hour by hour and day by day the actions of the British Government are indiscriminately obliterating Icelandic interests.”

Usually I don't notice politics. I live happily in the land of music-making. But I got caught up in it because politicians seem bent on ruining Iceland's natural environment. And I read last week that, because of the crisis, a number of Icelandic MPs are lobbying for the environmental assessment to be ignored so that the dams can be built as quickly as possible to give Alcoa and Rio Tinto the energy they need for the two new smelters.

Iceland is a small country. We missed out on an industrial revolution and my hope was that we would skip it completely and go straight to sustainable hi-tech options. If anyone could achieve this, we could. There is a wonderful characteristic in the Icelandic mentality - fearlessness, with an addiction to risk-taking to the point of being foolhardy. In music-making, storytelling and creative thought, this risk-taking is a great thing. And after my introduction to a lot of Iceland's small, growing companies, I realise how many of them have shown this fearless approach either in biotechnology or high technology.

Icelanders are highly educated in advanced sciences. We have ORF, one of the best biogenetics company in the world; Össur, an artificial limb-maker; CCP, a computer games maker, and so on. We also have a lot of doctors and health professionals. Because of the hundreds of naturally hot pools all over the island and our (so far) almost untouched nature, Iceland could easily become one big lush spa where people could come and nurse their wounds and relax. If only the Government could put its money into supporting these companies rather than serving Alcoa and Rio Tinto.

Flexibility is important: we will have to live with the three aluminium smelters that are here already and try to find ways of making them greener. But do we need five? In the past, having all our eggs in the same basket has proven far too risky, as we discovered in the days when we got 70 per cent of our income from fish. Now we are facing a disaster from betting everything on finance. If we build two more aluminium smelters, Iceland would become the biggest aluminium smelter in the world, and be known only for that. It would leave little room for anything else. If the price of aluminium falls - as it is doing - it would be catastrophic.

Iceland can be more self-sufficient and more creative - and still have an approach that is more 21st than 19th century. It can build fewer, smaller and greener dams. Let's use this economic crisis to become totally sustainable. Teach the world all we know about geothermal power plants. Support the Icelandic seed companies. Support the grass roots. It may take longer to build and deliver profits but it is solid, stable and something that will stand independently of the rollercoaster rides of Wall Street and volatile aluminium prices.

And it will help Iceland to remain what it is best at: being a gorgeous, untouched force of nature.

Björk's new single is called Náttúra. For more information about the eco-awareness Nattura Campaign go to www.nattura.info

Wednesday, August 13, 2008

ALL IS FULL OF LOVE

This summer MTV, the original home of music video, is delving into the archives to define the greatest video ever made. Experts from MTV TWO, MTV BASE and VH1 have already set out their opinions on the Top 100 videos in their respective genres.

We're delighted to tell you that Björk's's All Is Full Of Love has been nominated in MTV TWO's Greatest Video Ever Top 10.
From 18 August the combined MTV TWO, BASE and VH1 Top 10s will be put to the public vote. That means us!

We Can Vote:



Greatest Video Ever

The vote closes at midnight on 14 September and the ultimate Top 10 Greatest Videos Ever will be revealed on Sunday 21 September at 7pm across MTV channels.

Tuesday, August 5, 2008

Sigur Rós recount preview...

The other evening, I saw Sigur Rós live at Festival Hall. I have been working on a recount, but I haven't had the time to perfect it. Here is a portion which I am happy with:


"Sigur Rós entered the stage as the ethereal piano tabs of their first song for the evening, ‘Svefn-g-englar’, echoed through the theatre. Variously sized spheres glowed above the stage like diagrams of the solar system that created an extra terrestrial atmosphere which was evident in the faces of all in the audience who sat in their seats completely transfixed by the indelible mood of the tune. My heart began to race as Jónsi, the band’s vocalist, approached the microphone and began to sing in his highly unique voice which can best be described as sounding like a hybrid of the prim falsetto which a Catholic choir boy possesses and the haunting, primordial beckoning of a whale’s serenade. The band’s opening performance was rewarded with a pious reception from the thousands in attendance, all of which seemed to be completely in-tune with the intimacy and sensitivity which Sigur Rós were offering."


The rest will follow soon...


Here is a photo which I took during the concert:

Thursday, July 31, 2008

'The Dull Flame Of Desire' single

The gorgeous duet featuring Antony Hegarty which featured on Björk's 'Volta' album is finally being released as a single on September 29th. The 2007 album's fifth single follows the same CD/DVD/ 2x 12" vinyl package as previous 'Volta'-era releases.

Preorder is available Friday August 1st!

12”
A1. Dull Flame Of Desire Modeselektor’s Rmx For Girls
B1. Dull Flame Of Desire Modeselektor’s Rmx For Boys

12”
C1. Innocence Sinden Remix
D1. Dull Flame Of Desire Mark Stent Album Mix

CD
01. Dull Flame Of Desire Modeselektor’s Rmx For Girls
02. Dull Flame Of Desire Modeselektor’s Rmx For Boys
03. Dull Flame Of Desire Mark Stent Album Mix
04. Dull Flame Of Desire Video / Radio Edit
05. Dull Flame Of Desire Mark Stent Instrumental
06. Innocence Sinden Remix

DVD
Dull Flame Of Desire Video


Here is a live recording of Björk and Antony performing the song:




"I love your eyes my dear: they're splendid, sparkling fire"






Sigur Rós tomorrow!

I'm seeing B's fellow countrymen live tomorrow at Festival Hall!

Exciting!

Sunday, July 27, 2008

Sunday, July 20, 2008

My Björk Collection... part three.

My bedroom:





My Björk Collection... part two.

CDs:






'Debut' era


'Post' era


'Homogenic' era


'Selmasongs' + 'Vespertine' era


'Greatest Hits' era


'Miscellaneous'


'Volta' era


Japanese imports

Einstein Factor video link

My episode of The Einstein Factor!

KISSES!

Thursday, July 17, 2008

My Björk Collection... part one.

Here are the pictures of my collection... my collection SO FAR!

Part one: Vinyls.


(Early stuff-- "Björk"1977, "Miranda"- Tappí Tíkarrass, "Holidays In Europe"- Kukl and "The Eye"- Kukl)



(Sugarcubes 1988-1992)


('Ex:El' with 808 State and Björk Guðmundsdóttir & Tríó Guðmundar Ingólfssonar "Gling-Gló")



"Debut" era (1993-1994)


"Post" era (1995-1996)


"Homogenic" era (1997-1999)


"Selmasongs" (2000) , "Vespertine" (2001), "Greatest Hits" (2002) and "It's In Our Hands" (2002)


"Medúlla" (2004) and "Drawing Restraint 9" (2005)



"Volta" era (2007- 2008)

I met Meryl Streep!

It was bitterly freezing in the narrow ally which permeated into the large foyer of the Melbourne Central complex where the ‘Mamma Mia!’ premiere would take place. Ominously looming about the unusually long red carpet, were officious and earnest looking security guards wearing serious black suits who lurked the area as they touched their earpieces and spoke in hushed tones whilst giving the crowd suspicious looks in that particular cinematic cliché which we’ve gotten so used to seeing in any film which involves the Secret Service. Meanwhile, everyone else in-the- know worked efficiently at straightening posters, laying down media placards and even vacuuming the institutional red carpet without complete oblivion the fact the two time Academy Award winning Hollywood legend Meryl Streep would be walking past in a matter of hours. In contrast, the agog crowd gleefully clicked preliminary photos, discussed their favourite ‘Meryl movies’ and let out audible ‘ooh’s and ‘ahh’s as the mandatory parade of lesser-status celebrities turned up as effective red carpet-warmers, but it was obvious that everyone was only waiting for the A-list stars to arrive.

Whilst waiting for Meryl to arrive, I began to regress into my history as a Streep devotee and I realised that this evening was a dream materialised for that 13 year old I was who saw ‘Kramer Vs. Kramer’ on TV for the first time, and since that age henceforth she has been my absolute favourite actress and I have studied and enjoyed her filmography with great tenderness. I remember visiting my Video Ezy store at the age of 14 and renting out only Meryl movies; ‘Evil Angels’, ‘Manhattan’, ‘Silkwood’, ‘Out Of Africa’ and of course the tour-de-force ‘Sophie’s Choice’. Throughout the years as I matured and as my appreciation for arts heightened and my analytical skills became more acute I discovered what an incredible technical and actor that Meryl is; notice her wholly convincing adaptability for any accent, see infinite emotional range and versatility- she can play anything, and ultimately observe how totally authentic Meryl is on screen- she is not acting because she truly believes every word that she says whilst inhabiting her characters.

I enthusiastically clutched my poster of ‘The Hours’ and a black permanent maker in hope that Meryl might grant me an autograph, and I gave my mother a crash-course in how to use the digital camera so that she could take a photo of the Oscar winner and I. At this stage the more substantial celebrities began to embark upon the red carpet; Dominic Cooper, a cast member of ‘Mamma Mia!’ chatted to the long row of journalists before greeting those waiting to meet him. To be honest I had no idea who he was, so I didn’t pay any interest in greeting him. Next came along Colin Firth who was herald by the sycophantic screams of dozens of middle-aged women. After spending an eternity flirting with the media Mr. Firth approached those who were eagerly waiting to meet him. However, he didn’t display any of the alluring charisma which he coaxed out of himself for the press; I was the third non-media person to greet him but he paid less than minimal interest in me and begrudgingly scribbled his name on a piece of paper before he looked my mother up-and-down without uttering a word to either of us. I kept Firth’s autograph for my part-time co-worker Joan who fell in love with his characterisation of Mr. Darcy.

The moment we all had been waiting for discreetly crept in front of us; Meryl Streep turned the corner and began to chat to the press. The moment I saw her I felt as though I was in a dream. I was struck into a strange mood of déjà-vu: it was like seeing her on the big screen except and at the same time it was like seeing an old friend that you haven’t seen for years- a bizarre sense of recognition.

Streep was hurried through the media before she approached those wanting to meet her. She chatted to two flamboyantly ecstatic men before the icon approached me smiling. To my surprise and contrary to my concerns, I didn’t trip over my own tongue: “Hi Meryl, can you please sign my poster?” her smile widened and said “Of course”. She studied my poster briefly and then signed her name with careful precision before handing me back my souvenirs. “Thank you so much.” I said with delight, “My pleasure” she replied with her warm, familiar voice. She then paused and observed my Björk T-shirt before greeting my mother as she extended her hand to sign my copy of ‘The Devil Wears Prada’, but Meryl put texta to paper before realising that she had left the lid on. She sighed with embarrassment as my mother said “Sorry Meryl, I left the lid on.” “That’s OK.” Meryl giggled.

I was so impressed with what a lovely lady that Meryl was, and it seemed obvious how humble and gentle this woman is despite her status as the greatest living actress. Meryl had an aura about her, but it was not the same as other celebrities who shine because of the dress that they are wearing or because of their oozing ego- Meryl’s radiance exists because of the strong woman she presents and from what a beautiful person she is.

After this, Streep’s minders urged her to ignore the rest of the well-wishers and move inside because she was running late to greet The Fabulous Adam Richards and commence her interview on Nova FM. Hundreds of people missed out on meeting Meryl, but I hardly felt any sympathy for them at the time because I was too aloof with my incredible encounter with such a significant figure in cinema history.

Meeting Meryl Streep is one of the highlights of my life, and reinforces in me the idea that dreams truly do come true. Furthermore, Streep proved to me that power and fame are redundant if a person is in awe of their own importance, and that the true measure of a great artist is someone who is willing to thank those who appreciate their work.

I think I’ll go watch a Meryl Streep film now.



(Meryl and I)



I'm back!

I'm back after a few months of not being able to access my account! Hopefully it's all sorted now!

Heaps has happened since my last post... bare with me as I catch you up.



Saturday, April 19, 2008

It arrived!


This is a very rare copy of the LP Björk released in 1977 when she was just 11 years of age! Only 1000 copies were released, and I'm lucky enough to be the owner of one of these gems!!

The album features a collection of Icelandic folk songs and various covers of famous Pop song from Stevie Wonder to The Beatles.

Monday, March 31, 2008

Saturday, March 29, 2008

They arrived...


Yay!

If you want to order these posters, visit bluedogposters.com.au

Thursday, March 27, 2008

The Einstein Factor filming...

The filming for my episode of The Einstein Factor took place last night! It was a great experience and I had so much fun...

It airs :


JUNE 15TH






Wednesday, March 26, 2008

Wanderlust single

The fourth single from Volta, 'Wanderlust', will be released on the 14th of April. It will be the same box-set format as the three previous singles, except this will contain 3D glasses which are included in order to view the (apparently "amazing") new video.

You can order it from One Little Indian UK or Red Eye Records in Sydney.



Vinyl
A1. Wanderlust – Matthew Herbert Remix
B1. Wanderlust – Mark Mix
C1. Wanderlust – Ratatat Remix
D1. Wanderlust – Mark Stent Instrumental

CD
01. Wanderlust - Radio Edit
02. Wanderlust – Matthew Herbert Remix
03. Wanderlust – Mark Mix
04. Wanderlust – Ratatat Remix
05. Wanderlust – Mark Stent Instrumental

DVD
01. Wanderlust Video + 3D Glasses



24 hours...

Tomorrow evening, I get filmed for The Einstein Factor...

EXCITING!

Monday, March 24, 2008

New posters...

I've ordered two new posters:



and...



YAY!

Sunday, March 23, 2008

Union Chapel link

Here's B's December '99 concert with the Brodsky Quartet...

Part one:


Part two:


It's B-yerk! Not "B-york"!

Björk - is pronounced "B-yerk", not "B-york". The ö is voiced as "ur" and not "or". Think of it as the same way as pronouncing the o in "work" or "word".

Björk says to pronounce it like "Jerk":
http://b-faq.bjorkish.net/about/files/bjorkname.mp3

Guðmundsdóttir, her surname, sounds like 'Gvooth-moonds-daugh-terr':
http://b-faq.bjorkish.net/about/files/help%20with%20her%20last%20name.avi

Thanks to bjorkish.net for the clips!

A picture of me at Big Day Out...



If you look to the right, in front of the plasma, you can see the microphone stand which I was in front of. I have pointed out my very distinctive angle... the back of my head. HA HA HA!

I'm so trilled that B and I are in the same photo!


LOVE YA B!

xoxo

SOME pictures I took of Björk at Big Day Out...